Tips for Models when doing a TFP shoot

TFP (Time for Print) shoots can be a great opportunity for models to build their portfolio, gain experience, and connect with photographers—but only if you approach them the right way. It’s not just “show up and pose.” There’s a bit of consideration involved.

First, the correct steps. Before agreeing to a shoot, make sure you understand the concept. Don’t just go along with “creative shoot” or “something cool” on a first time shoot —ask for references , Inspo shots or a mood board. You need to know if the style actually fits your portfolio and personal brand. Once that’s clear, confirm all the details: date, time, location, duration, and what you’re expected to bring (outfits, makeup, etc.).Timing traps can be MUA’s who will always tell you it will take 45 minutes - trust me - hour minimum LOL! I’ve had model and MUA turn up to a 4hour studio booking and take two hours to complete the makeup on site - cutting my shooting time in half :-(

Always clarify deliverables. How many edited images will you receive? When will you get them? This is one of the biggest issues in TFP—models often get left waiting because nothing was agreed upfront. A simple written agreement (even just messages) can save you a lot of frustration. Personally I hate having a backlog - so I like models/MUA’s to get their shots as quickly as possible to select what edits they’d like.

On shoot day, treat it professionally. Arrive on time, prepared, and ready to work. Even though it’s unpaid, your attitude and reliability can lead to paid opportunities later.

Now, some tips to make TFP worth your time. Be selective. Not every shoot is worth doing—choose photographers whose work genuinely elevates your portfolio. If their style doesn’t match your goals, it’s okay to say no.

Also, come prepared with ideas. Don’t rely entirely on the photographer to direct everything. Practice poses, understand your angles, and bring energy to the shoot. The more you contribute, the stronger the final images will be.

Communication is key too. If you’re uncomfortable with a pose, outfit, or direction, speak up. A good shoot is collaborative, not pressured.

Now for the traps. The biggest one? Working with unreliable photographers. If someone has no portfolio, poor communication, or a history of not delivering images, that’s a red flag. Trust your instincts. At the same time some shooters have portfolios with nothing but nude /boudoir work … and assume that anyone asking to shoot with them is up for that - make sure you let the photographer know beforehand of your boundaries.

Another trap is overcommitting. Doing too many TFP shoots can actually dilute your portfolio instead of improving it. Focus on quality, not quantity.

And finally, don’t undervalue your time. Just because it’s TFP doesn’t mean your effort is “free.” You’re investing time, energy, and your image—make sure you’re getting something worthwhile in return.

What’s next? … So when is the right time to stop doing TFP? Generally, it’s when your portfolio is strong enough to start attracting paid work and you’ve clearly defined your personal style. If you already have a solid range of high-quality images, continuing to do random TFP shoots can actually hold you back. At that point, TFP should become selective, not standard—you might still do it for passion projects, networking, or working with top-tier creatives, but not just to “get more photos.” A good rule: if a shoot doesn’t elevate your portfolio or open doors, it’s probably time to start charging instead.